Narrative/ˈnarətɪv/                                            


[In the narrative mode, I work as a researcher of memory and disappearance—investigating how marginalized histories survive through place, voice, and gesture. Often beginning with fieldwork, I collect oral stories, trace fragile landscapes, and explore overlooked materials. I see the archive as a living space for complexity, rather than a place of fixed truths. I’m drawn to the tension between presence and absence, and how that tension is held in images, silence, or ritual.]

  The Returning Hero                                           
  The Hidden Bodies                                   
        

Observation/ˌɒbzəˈveɪʃn/                            


[In the observational mode, my process becomes more exploratory and intuitive. I’m fascinated by the “poetry of forms”—how visual structures can carry meaning on their own. I create non-representational images, unexpected sequences, and spontaneous compositions that open new ways of seeing. My photobooks often emerge from this space, where logic gives way to rhythm, play, and chance.]

   The Global Museum                                          
   Mise en abyme                                                    
  The Universal Landscapes                               
  Good Old-Fashioned Rhythm                            
  The Wandering Song                                        
  Exploring the Enigma of Exotica: A Trilogy + *
 

Autobiography/ˌɔːtə(ʊ)bʌɪˈɒɡrəfi/  


[The autobiographical mode holds my most personal, long-term work. These projects are not confessional, but contemplative. They reflect on my relationship to place, identity, and memory—quiet inquiries into belonging, movement, and loss.]
 
  Not To Be Reproduced                                   
  The Immutable Laws of Survival       






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