Narrative/ˈnarətɪv/
[In the narrative mode, I work as a researcher of memory and disappearance—investigating how marginalized histories survive through place, voice, and gesture. Often beginning with fieldwork, I collect oral stories, trace fragile landscapes, and explore overlooked materials. I see the archive as a living space for complexity, rather than a place of fixed truths. I’m drawn to the tension between presence and absence, and how that tension is held in images, silence, or ritual.]
The Returning Hero
The Hidden Bodies
Observation/ˌɒbzəˈveɪʃn/
[In the observational mode, my process becomes more exploratory and intuitive. I’m fascinated by the “poetry of forms”—how visual structures can carry meaning on their own. I create non-representational images, unexpected sequences, and spontaneous compositions that open new ways of seeing. My photobooks often emerge from this space, where logic gives way to rhythm, play, and chance.]
The Global Museum
Mise en abyme
The Universal Landscapes
Good Old-Fashioned Rhythm
The Wandering Song
Exploring the Enigma of Exotica: A Trilogy + *
Autobiography/ˌɔːtə(ʊ)bʌɪˈɒɡrəfi/
[The autobiographical mode holds my most personal, long-term work. These projects are not confessional, but contemplative. They reflect on my relationship to place, identity, and memory—quiet inquiries into belonging, movement, and loss.]
Not To Be Reproduced
The Immutable Laws of Survival
︎︎︎ Index